Asghar Farhadi: Cinema's Future & the Power of Film Festivals (2026)

In a world where the future of cinema often feels uncertain, especially amidst the rise of streaming platforms, it's refreshing to hear the perspective of an industry veteran like Asghar Farhadi. Farhadi, a two-time Oscar winner and renowned Iranian filmmaker, recently shared his thoughts on the state of cinema, the role of film festivals, and the power of storytelling during a brief encounter at the Sarajevo Film Festival.

What makes Farhadi's commentary particularly fascinating is his unwavering belief in the enduring nature of cinema. Despite the ongoing war between Iran and the U.S. and Israel, and the political turmoil facing his fellow filmmaker Jafar Panahi, Farhadi remains optimistic about the future of cinema.

"I don't believe cinema is dying," he asserts. "Some people say cinema is dying, but no. I think cinema is still going, is still alive. But it's gradually changing. It is finding a new language."

This statement is a powerful reminder of the resilience and adaptability of the art form. Farhadi's words echo a deeper truth: that cinema, as a medium, has the ability to evolve and reinvent itself, much like the stories it tells.

One of the key insights Farhadi offers is the importance of film festivals, especially mid-tier ones like Sarajevo, Locarno, Karlovy Vary, and San Sebastian. In an industry rapidly transforming, these festivals play a crucial role in supporting and promoting emerging filmmakers.

"These days, based on the competition between cinema and platforms, festivals like this can help cinema," Farhadi explains. "People watch films, but on their cell phones, and this kind of festival keeps this ceremony going—I mean, when a family goes to the theater and they sit together, they watch a film together and they talk together. This is a holy ceremony to me."

Farhadi's description of film viewing as a "holy ceremony" is a beautiful and poignant metaphor. It highlights the communal and shared experience of cinema, an experience that streaming platforms, despite their convenience, cannot replicate.

Furthermore, Farhadi's emphasis on the emerging generation of filmmakers is a testament to his own values and beliefs. He sees these young filmmakers as the future of cinema, and their unique artistic languages as a source of hope and inspiration.

"Their source should come from the inside, not something external," he says, encouraging a genuine and authentic approach to filmmaking.

In conclusion, Farhadi's perspective offers a refreshing and optimistic view of the future of cinema. His belief in the power of storytelling, the importance of film festivals, and the potential of emerging filmmakers is a reminder that, despite the challenges, cinema remains a vibrant and evolving art form.

As we navigate the changing landscape of the industry, Farhadi's words serve as a guiding light, encouraging us to embrace the new while honoring the traditions that make cinema such a powerful and enduring medium.

Asghar Farhadi: Cinema's Future & the Power of Film Festivals (2026)

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